New PDF release: Beyond Bruce Lee: Chasing the Dragon through Film,

By Paul Bowman

As a way to comprehend Bruce Lee, we needs to glance past Bruce Lee to the artist's complex cultural and old contexts. This paintings starts by way of contextualising Lee, interpreting his movies and martial arts paintings, and his altering cultural prestige inside diversified instances and locations. The textual content examines Bruce Lee’s motion pictures and philosophy on the subject of the preferred tradition and cultural politics of the Sixties and Nineteen Seventies, and it addresses the resurgence of his recognition in Hong Kong and China within the twenty-first century. The learn additionally explores Lee’s ongoing legacy and impression within the West, contemplating his functionality as a transferring image of ethnic politics and the ways that he keeps to notify Hollywood film-fight choreography. past Bruce Lee eventually argues Lee is better understood when it comes to "cultural translation" and that his interventions and significance are ongoing.

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Additional resources for Beyond Bruce Lee: Chasing the Dragon through Film, Philosophy, and Popular Culture

Sample text

2. Understanding the structure of the physical body. In order to make Qin Na effective. you must also know the structure of the joints, and how the muscles and tendons relate to the action or movement of the body. Through practicing Qin Na, you will be able to gain a clearer picture of this structure. Only through understanding this physi· cal structure may you reduce or prevent physical damage or injury to your body. 3. Learning how to heal yourself. Truly speaking, it does not matter how carefully both you and your partner pay attention, you will eventually experience some sort of minor injury during the learning process.

It {!. If your opponent takes the same position as in the previous technique, with his right palm opened, again first use your right hand to grab his right fingers. After you have locked your opponent's right hand finger joints, twist his hand counterclockwise and lock his pinkie's tendon into position (Figure 2-33). While you are doing this, you also use your left hand to push his right elbow to your right. Finally, increase the pressure on his pinkie while using the left hand to generate leverage for controlling (Figure 2-34).

The angle of pressing is very important. You should press until the back of your palm is bending downward (Figure 2-8). After you have locked your opponent at the correct angle, immediately press downward and then lead (do not pull) him down to the ground, and use your left hand to pull his hair down and control his head (Figure 2-9). In order to make your opponent's entire body lie on the ground, you may lead him straight down and forward first, and then follow with a circular motion. This will destroy his stability.

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